
Well, I'm gonna go ahead and pull a K-OS. This post has nothing to do with Natalie Portman, but doesn't the mention of that song title hook and intrigue you? And didn't her alluring and exquisite face invite you to this post?
Something new from a faux-frotch.








2) Leighton Meester as the new XXXtina?
I can’t get enough of her bitchy shenanigans on Gossip Girl, her surprising tenderness as girlfriend to the doubly sexy Chuck Bass on the same show, and her sultry singing voice! Oh, and her seXXX appeal! After assisting with the chorus on the super successful “Good Girls Gone Bad” with Cobra Starship, she’s opened up the world to taking her solo career more seriously, and her moves don’t hurt! Check out her newest video:
Well played, Meester!
3) The entire cast of Nine. But in the interest of keeping the theme, my newest obsession among the cast: Penelope Cruz. I latin love(he)r! After getting the wrong impression of her from dating the horrendous Tom Cruise, and thinking she was a typical Spanish beauty we’ve all seen before, I have crossed over. Vicky Cristina Barcelona was like her debut into fabulousity for me, and seeing her as ScarJo’s muse totally convinced me why she’s been able to build a career as a director’s muse and has been cast as a director's mistress in Nine! Forget Be Italian, Be Latin!
Here's the movie trailer... *drools with envy*
Editor's note: She was also fierce in Blow. I was just too young and naive to notice (it came out in '01!!)
4) Gaga in her new vid. Her with big eyes. Her in a negligee. Her with wicked 3-foot hair. Her:
This Monday I had a steady job with, eh, steady-ish income, a pension, and benefits. Plus a move-in date scheduled on a new condo. 
"I hope you don't mind — I hope you don't mind, that I put down in words... how wonderful." Well said, Ewan. Although this particular vocal medley and, well, actually any vocal medley, were absent from last night's RWB performance, rhythm and beauty were aplenty.
Just the symphony, set and costumes were enough to make even the coldest heart melt and start believing in a love that begins to stew after one meeting and probably less than 3 minutes. The RWB literally kicked off their 70th anniversary season with an unforgettable, and likely record-setting performance. Advance ticket sales were sky-high, allowing the ballet company to pas de bourree on another two matinees, and the first night was a full house. Although I can't speak for everyone in my age group (though I will) I think it's fair to say that this is one of the most trendy and anticipated shows for our age group ever to grace the Centennial Concert Hall in our lifetimes.
I really can't, however, use my relationship with the movie Moulin Rouge as a baseline, because I know it is far from the norm. (I know each vocal sequence by heart and can harmonize from either side of the male/female duets...) But I will also say that European culture and especially bohemian Paris as a theme is generally a oui, oui! for most of us, too. (Even if you didn't cry for Satine or know the history of "The Red Mill.")
Which brings me to my only complaint for this post: Student-priced tickets (priced at about $30) were taken up so quick most of us missed them like you would miss the little green fairy if you tried to look for her the day after you drank absinthe. Gone were the tickets in a quick dissolve, and when the other two shows were added, I assume they were taken up just as quick.
I am grateful that my maja felt the desire to treat me to the eye candy, but I had originally had plans to go with two of my peers who had to back out because of the costliness. Because we young'ns are the future RWB spectators, and since it is an anniversary year, I question if they could have maybe done something out-of-the-box and philanthropic like adding a student night for only student-priced tickets. I venture the concert hall would've filled up, and I don't know if this would've made them money or lost them money, but in the grand scheme I think it would've been a great way to 'hook 'em while they're young' and keep the RWB going another 3/4ish-century. (Side note: How fun would that have been!? And potentially less classy.. though most young people in the crowd on the first night were the ones who seized the opportunity to dress up.)
Anyway, that's my one suggestion box-type toss-it or keep-it. Now to the goods: Notable dances were the first can-can when you finally see the girls do the infamous dance the Moulin Rouge is credited for developing to the classic tune, and a well-choreographed dance-off/paint-off between two of the male leads, Toulouse and Matthew. These and the I-can't-overemphasize-how-awesome set and costumes almost made me forget to expect Nicole Kidman to swing out and break into a reworked vintage Madonna track, or expect Harold Zidler's bellowing creepiness. Shout-out: A friend I met in the summer working at a downtown restaurant was IN THE SHOW! She totally held her own and I confidently suggest we'll all be seeing a bunch more of her. Go Beth! Until next time,
"Come what may, Come what may. I love you, until my dying day," faithful reader. x's/o's
